浩室总监邱炫达获奖「设计界的奥斯卡」 剖析3设计案
文／时尚家居
设计鬼才邱炫达获 2020 A’DESIGN AWARD一银二铜！剖析3设计案窥视获奖机密
素有「设计界的奥斯卡」之称的义大利国际设计大奖A’DESIGN AWARD （A’设计大奖赛），2020年最新得奖名单已出炉，浩室设计总监邱炫达分别以（浩室办公室-返朴归真）、（以裁缝之名）、（即景之奏）三件作品拿下一银双铜。每年汇聚全球的设计好手竞相角逐，唯有菁英者才能得此荣耀！今年台湾也有不少设计师参加竞赛，而誉称为「设计鬼才」的邱炫达如何在众多设计界佼佼者中雀屏中选，将美学与实用兼容并蓄，展现其独特的设计格局，更是耐人寻味。
韵绕梁的绵延姿态，大鸣大放于动线分寸中。创作构思来自将音韵节奏之巧，安序注入力度于每分间隙中，使之绽放出悠然回旋的节奏层次。
The rhythm of the rhythm around the beam, the big song is placed in the moving line. The creative idea comes from the rhythm of the rhythm, the injection of the sequence into the gap, making it bloom in a rhythmic level.
应和整墙面贯连的百叶窗棂，同步深邃了长向轴线格局的深远景深，也弱化了长空间里的狭促。分界于双厅中界的钢琴摆位，可放大音域于流泄时分的无碍，更优化于即景奏鸣间音质的长扬悠远。
拥入蒙太奇手法使视感彷若穿透时序，大面深灰透玻界分玄关与公领域，眺望去是对应着公领域的横轴窗景。透玻看去在虚实有无间呈出明暗对比的分际线，乍看彷若有黑夜白天同时并存的震撼。当思绪定睛于明暗错视的目不暇给同时，再拉回现实之际，空间布局强如快节奏般，一架经雕琢过的纯白平台手工钢琴即刻映入眼帘，突如跃然登堂于双厅分界间，也回应出作品即景奏鸣之主题，如狂放音乐即兴般，余音激荡。
The blinds that should be connected to the entire wall surface have deepened the deep depth of the long axis pattern and weakened the narrow space in the long space. The piano position that is demarcated in the middle of the double hall can enlarge the sound field in the time of the leaking time, and is more optimized for the long and long sound of the sound quality of the scene.Incorporating the montage technique makes the visual sense seem to penetrate the time series, and the large-scale dark gray-transparent glass boundary is divided into the porch and the public domain, and the lookout is the horizontal axis window corresponding to the public domain. Looking through the glass, there is a line of contrast between light and dark, and it looks like there is a shock of coexistence during the day and night. When the thoughts are fixed on the eyes and eyes of the illusion, and then pull back to reality, the spatial layout is as fast as the rhythm. A carved white platform handmade piano is immediately greeted, and suddenly stands in the double hall boundary. In the meantime, it also responds to the theme of the work, that is, the theme of the scene, such as the improvisation of wild music, the reverberation.
以空间的长轴深度作为创作基体，在琴韵节奏中划出缤纷装置律动。如客厅以进出木立面带出琴键动感，玄关以悬浮错落的层架装置表现出音律的飘忽多变，餐厅的蓝光效果彷若疾呼着慵懒无间断的爵士氛围，室顶则于黑白对色中尽显琴键色系的蔓延。
转折进入私领域后，强烈的异国情调突围冲击而来，浓厚的南洋情致飘忽于帐幕格栅间，自然奔放的木色与泥水色满布于天地壁面，完整将旅渡调性复制入居家中，满足空间里必需契合的自在与从容。
y. Taking the long axis depth of the space as the base of creation, a colorful device rhythm is drawn in the rhythm of the rhyme. For example, if the living room enters and exits the wooden façade to bring out the movement of the keys, the porch will show the temperament of the melody with the suspended stacking device. The blue light effect of the restaurant is like a lazy and uninterrupted jazz atmosphere, and the top of the room is in black and white. The color of the piano color is spread. After the transition into the private sector, the strong exotic breakout shocked, and the strong Nanyang sentiment lingered in the tent grille. The natural and unrestrained wood and muddy water were all over the wall of the heavens and earth, completely replicating the travel tones into the home. To satisfy the freedom and calmness that must be met in the space.
素有设计鬼才之称的邱炫达擅长塑造多元不对等的构筑对话，喜好模糊化矩形水平规矩，改变空间量体界线引领跨界，惯以自然质材展现原生质，作品多带有独一性格，期望在人与空间的密切感知里，寻觅最平衡的相拥相融。
领导的浩室设计团队于室内、办公、商空、策展等相关空间规划，均积累多年，并于装置艺术、软装陈设、景观氛围、工设产品等操作上，更多有经验。对空间里外营造，强调统整性的服务链结，严正重视美感与实务能兼容并蓄，通透实现设计脉络的完整，将空间领域带出视野新格局。